Deconstruction
Nov. 13th, 2011 12:33 amDeconstruction is a literary term where things such as language or a character is broken apart to find a different meaning to it. An easier way to define it could be the use of irony. In Watchmen, Moore deconstructs the superheroes by turning it on its head. He recreates these superheroes where “if our superhero fantasies were realized, our world would be radically altered, and not for the better” (Thomson 105). The irony in this is that we all grew up learning that superheroes are always the good guys and they’re out there fighting crimes and protecting society and the world. Instead, in Watchmen, not all the heroes were good. For example, Rorschach “was driven to become a “masked-hero” by the neglect, abuse, and abandonment he suffered as a foster child [and] the real evil he encountered soon after putting on his mask led him to reject his humanity for his mask and so become empty, a blank onto which others would project their own fear” (Thomson 107). Rorschach’s character is the exact opposite of what a “real” superhero is like to us. Not only is he not keeping peace, but he will hurt and kill living beings that gets in his way. What makes Watchmen so outstanding is that it makes us question "What if superheroes were real? [and] What would it really be like if comic book heroes walking among us?" (Thomson 105).
Works Cited
Thomson, Iain. “Deconstructing the Hero.” (2005): 100-129. Comics as Philosophy. Web. 11 Nov. 2011
Works Cited
Thomson, Iain. “Deconstructing the Hero.” (2005): 100-129. Comics as Philosophy. Web. 11 Nov. 2011